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Production Advice

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How to master a song loud – and the price you pay (Video tutorial)

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The most popular post on my site right now is this one:

How to make your music loud

The video above is a “sequel” to that post, in a way, because it demonstrates many of the techniques I talk about in the original post.

(I’m not saying you should make your music really loud, by the way – far from it. But if that’s what you’re going to do, I’d prefer you to make a good job of it : )

The video was inspired by an email from Brendan Zacharias, a musician and producer who recently bought a copy of my eBook and video package Mastering with Multiband Compression.

(Multiband compression can be an invaluable tool for getting loud, punchy mixes without crushing the life out of your mix – to find out more, click here.)

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Why custom mastering for vinyl isn’t necessary

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I’m getting more and more people asking me about the need to get a dedicated master made for vinyl releases – maybe because I’ve posted videos like the one above – for more details check this link:

Red Hot Chili Peppers – ‘I’m With You” vinyl sounds better than CD

But I’ve got news for you – you don’t need to. It’s a myth.

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Me The Machine – Imogen Heap and The Gloves Live Broadcast on Earth Day

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Imogen Heap is a genius.

A mad, crazy genius, but a genius nonetheless.

I knew this already of course, but the full magnitude of her mad, crazy genius-ness didn’t really hit me until last night, watching the live Facebook webcast of her new song – “Me The Machine” (aka #heapsong6).

And it made quite difficult watching, if I’m honest.

Because this was Immi as we hadn’t seen her before – un-prepared, un-happy and perhaps even a little out of control. As the fascinating, scary “making-of” movie that opened the webcast vividly described, this was a project with “thousands” of things that could go wrong – and they all depended at the last moment on Imogen’s slightest gesture.

And things did go wrong – as Imogen herself admitted afterwards. And it was obvious that she was unhappy about it. The performance didn’t go as she wanted it to – but how could it be ? She wanted it to be perfect.

Well, it wasn’t perfect – but it was stunning, spine-tingling, and extraordinary, all the same.

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Announcing the Home Mastering Masterclass video package

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The time has come to let you know about something I’m really excited about – my new product, the Home Mastering Masterclass.

Probably the easiest way to tell you about it is to give you a sneak preview of the introduction video – so that’s what I’ve done ! Take a look at the video above, if you haven’t already – and you should be right up to speed.

What is the Home Mastering Masterclass ?

The idea is to give you a set of “fly on the wall” screen-capture videos while I master a selection of songs on my home setup. They’re from a range of different genres – rock, pop, dance, metal, acoustic soundtrack and jazz, using a range of software packages and plugins, including the popular Ozone plugins by isotope, for example.

I’ll share exactly what I’m doing, how and why – and you’ll learn a mass of useful tools and techniques along the way.

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Mastering for earbuds ? BAD Idea

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Here’s the theory

People are listening to music on iPod earbuds, they’re listening to it on laptop speakers, they’re listening to it on mobile phone speakers.

So that’s what we should use to make our final mix and master decisions on, right ?

Make it sound good on what end users are listening to it on – the lowest common denominator. Simple, right ?

Wrong

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When in doubt, dither

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Dither is one of the most widely misunderstood elements of the digital audio chain.

People don’t know what it is, they don’t know when to use it, and they don’t know how.

This post aims to fix that, and make it really simple. But before we get started though, let’s quickly answer a few of the questions.

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